Showing posts with label Hollywood Boulevard. Show all posts
Showing posts with label Hollywood Boulevard. Show all posts

Monday, October 8, 2012

BACK IN THE LOW LIFE AGAIN




I realize that despite the title of this blog, I’ve not been doing very much walking in Hollywood lately.  The reasons are explicable enough.  I’ve been finishing a novel, I’ve been away, and the weather has been punishingly hot.  On the first day of October the temperature around these parts hit the high nineties.  Come on.  That’s not right.


So it was good to get out last week, walk from the lower slopes of the Hollywood Hills and head down for lunch at a little place on Melrose Boulevard - Melrose being the southern boundary of Hollywood in most people’s estimation – and then I walked back again.  It was about a 3 and a half mile walk in each direction, and it did punch a bit of a hole in the day, but that was the idea. Of course I saw the “typical” Hollywood stuff, which in some ways was a bit predictable: the big cacti, the stylish architecture, the cool old cars, the interesting people.  But a walk in Hollywood is never wholly predictable.


As I walked along Hollywood Boulevard, for instance, there was a parade, or I suppose motorcade, of vintage police cars.  My first thought was OK, well maybe this is just the kind of thing that happens in Hollywood on a weekday afternoon, but I discovered later that it was an event “to increase awareness of public safety officers,” and the cars were driving from the Los Angeles Fire Museum to Broderick Crawford’s Walk of Fame star – not a huge distance.  And it’s true - nothing heightens your awareness of cops like hearing sirens, seeing a bunch them packed into old cars and glaring out the windows at pedestrians.

Broderick Crawford - good looking cop.
Of course there was feral furniture: mattresses, couches, a gigantic mirror  There even seemed to be some feral art – though it could just have been a piece of old board with paint on it, but who am I to judge?


Everyone says that LA is the most suburban major city in the world and that’s probably true – but it did strike me on my walk just how industrial parts of Hollywood are.  The industry in question happens to be the movies, but a warehouse or storage facility for movie equipment or props looks much like a warehouse or storage facility for anything else. 



And then right there on La Brea Avenue there’s the Cemex cement works, churning out lord knows how many tons of ready mix, right across the street from the Target and the Best Buy.  How many major western cities have one of those in the middle of a shopping area?



And of course I saw some fellow walkers – not so very many but enough, a combination of the cool and quirky, those who were working too hard at being cool and quirky, and those who were just downright quirky.


There were graffiti-slash-street art, naturally – some Bansky-esque stenciling – which is getting a bit old, surely, although it hasn’t got to look actually retro just yet.  And I saw this extraordinary graffito on Melrose itself:



When did anyone last feel the need to write Bill Cosby’s name large on the side of anything?  And did it have some connection with the vaguely lewd ad for pants on the bench next to it? Or with the pita store behind it?  I don’t know. Every city has its mysteries, and some just have to remain that way.



Wednesday, July 18, 2012

THE DIRTY BOULEVARD


Being a pedestrian of international stature (he says self-mockingly, though in fact not quite so full-on ironically as you might imagine), once in a while I do get photographed by some really good photographers.  The latest is David Westphal who photographed me for the jwm magazine, that’s the in-house mag of the Marriott Hotel group, so my image will be an adornment to hotel rooms the world over for the next three months or so, which would appeal to anybody’s vanity.

But of course vanity means that you actually worry about looking good.  That being the case, I’m always a willing model if not a very natural or comfortable one.  In general it’s easier when I’m doing something, and since walking is one of the things I apparently to do best, it made sense to take some pics of me in mid-stride.

David asked if I knew a good location where I might walk and where he might do the shoot.  I suggested Griffith Park, up by the old batcave, with the possibility of a view of the Hollywood sign in the background.  Cheesy but effective.  And one of the great attractions from my point of view was that on a weekday afternoon I reckoned there wouldn’t be many people around, so the potential for embarrassment and self-consciousness would be much reduced.  David said that sounded great, but in truth, somehow I didn’t really think it would be that simple.

Come the day of the shoot David had had a better idea.  He thought it would be really great if we took some pictures slap bang in the middle of Hollywood Boulevard, sometimes with me walking, sometimes with me standing still as pedestrians swarmed around me.  Now I dare say Naomi Campbell would have stamped her little foot and refused, but I am no Naomi Campbell, as you may have realized, and in any case this sounded like a decent idea for a picture, so I went with it.  I’m not sure I really had a choice.

And rather a peculiar thing happened.  I’m not saying I look especially good or at ease in the pictures, but in the event I felt remarkably unembarrassed and unselfconscious during the shoot.  I guess it has something to do with the nature of Hollywood Boulevard.  First of all, whatever you’re doing there, however odd, there are always going to be plenty of people doing much odder things: a man dressed in a SpongeBob SquarePants costume, some guy forcing his CD into the hands of unwilling tourists “Well you gotta take it now ‘cause I’ve signed it for ya,” a male/female busking duo who seemed to be making up their songs as they went along, at one point launching into the lyrics, “Lick, lick that jellybean, lick it lick it till I scream.”  The chaos was oddly liberating.

Needless to say, again unlike Naomi Campbell, I didn’t have image approval, which is why they didn’t use the pic at the top of this post.  You might argue that this isn’t actually a picture of me walking, but it’s the one I liked best.  It has so much going for it: a tyrannosaurus, a bunch of overdressed hipsters, and the author, staring into distance, not exactly relaxed, and by no means above it all, but detached and aware and observant.  That sounds quite a lot like me.  They used this one instead, which again doesn't actually show me walking, but is still a great picture, even if it makes me look a little over-chunky -  vanity, indeed.


The piece is written by James Bradley, who runs a Brooklyn record store (yes really) named Soundfix and he also plays alto sax saxophone under the name Beauclerk. “Low-resonance, high-discomfort ambient drifter Beauclerk is a one-man drone menace, mixing glory and danger via saxophone and a Line 6 pedal,” says the Village Voice.   


The jwm piece features a playlist of music that a pedestrian might listen to when walking the streets of Los Angeles.  I’ve done these lists before and it’s very hard to stop yourself being “hipper than thou,” and I can’t swear that a list containing John Cage and Christian Fennesz entirely escapes that accusation. 

And of course my original list was longer.  I’m not complaining: I understand the realities of putting together a magazine, but as a little bonus, let me recommend one song that ended up on the cutting room floor:  




Johnny Tyler and His Riders of the Rio Grande, ”It Ain’t Far To the Bar (But It’s Such a Long Road Back).”  The story of all our lives.

James Bradley’s Soundfix website is here:

Beauclerk is here:

David Westphal’s website is here:
The jwm magazine is here, though my computer found some of the bells and whistles a little too fancy to deal with easily, yours is better no doubt: