Tuesday, May 17, 2016
WALKING IN LOVE
Just click on the link below for some two-fisted fiction from Geoff Nicholson, at
hollywooddementia.com, for those who like that kind of thing, and yeah, sure, it's about
walking (kind of).
http://hollywooddementia.com/nikki-finke-fiction-the-lovers-by-geoff-nicholson/#more-7135
Friday, May 13, 2016
ON THE ROAD WITH CHAS AND PETE
Can this be true? We’ve always known that Charles Dickens was a very enthusiastic (probably
obsessive) walker, sometimes by day and sometimes all night, since he suffered
from insomnia. Even so I was amazed, belatedly,
to read an essay by Peter Ackroyd titled “All the time in the world – writers
and the nature of time,” in which he says Dickens “insisted on walking for as
much time each day as he wrote.”
Really? Literally insisted? Did he actually calculate how long he’d worked
each day and then insist on walking for exactly
the same number of hours? It does seem
strange, but I’m not saying he didn’t.
There is an extant interview with an unnamed somebody who took dictation
for Dickens. It appeared in the Louisville Commercial and then in
the Brooklyn Daily Eagle, in
1882. Part of it runs like this:
“‘You were an amanuensis of
Charles Dickens, were you not?’
‘Yes, I did shorthand
work for Mr. Dickens for eighteen months. I did not take dictation for any of
his novels, only his fugitive pieces. He dictated to me most of his articles in
All the Year Round. He was a very clever gentleman to those under him.
He always treated me very well, indeed. Most people seem to think Dickens was a
ready writer. This is by no means the case. He used to come into his office in
St. Catherine Street about eight o’clock in the morning and begin dictating. He
would walk up and down the floor several times after dictating a sentence or a
paragraph and ask me to read it. I would do so, and he would, in nine cases out
of ten, order me to strike out certain words and insert others. He was
generally tired out by eleven o’clock, and went down to his club on the Strand.
“
Well, that would work,
wouldn’t it – three hours work, lunch, three hours walking. But did he then go back and work for a few
hours more, which required a few more hours walking? Maybe.
All those “writing habits of famous authors” websites will tell you
that Dickens walked for three hours a
day, but he must surely have walked more hours than that. You’ll also find
sources that say he walked 12 miles a day, some say he often walked twenty. You do the math.
History.com tells us “He kept to a military-strict schedule, always writing in his study
between 9 a.m. and 2 p.m. before striking off on three-hour walks.” Which would presumably leave him two hours
short by Ackroyd’s account, unless he made it up later.
Ackroyd is, or at least was, a walker. Recent interviews have described him as wheezing when he walks, and one describes him as having a torn ligament. Still 2014 piece in the Financial Times, he’s quoted as saying, “My hobby was always walking. That’s what I did most of. Experiencing the sensation and the atmosphere of it and getting the pavement underneath your feet is very good therapy.”
The
author of the piece, Hannah Beckerman, wonders were he finds time for such
therapy, given that he’s always writing three projects at any one time
biography in the morning, history book in the afternoon, fiction in the
evening. His answer: “If you cut up
your day well enough, it’s perfectly possible to do anything.” No doubt.
Ackroyd and I
did share an American agent for a while.
She didn’t have many tales of his walking, though there were a few of
him falling over drunk and being bundled into taxis. There was also talk that he’d reformed.
I’m not very good at cutting up my day.
There are some days on which I do very little work at all – because of a
combination of sloth and self-doubt - which means there are days when I
actually spend more time walking that I spend writing. But I
don’t insist on it.
Tuesday, May 10, 2016
ULYSSES ON HOLLYWOOD BOULEVARD
It’s a good few decades since I first read
the opening lines of the “Proteus” chapter in Ulysses, the chapter in which Stephen Dedalus
walks along Sandymount Strand. I read the words "Ineluctable modality of
the visible," reached for the dictionary and looked up the meaning both of
ineluctable and modality, and I think I was at least very slightly wiser
afterwards.
Now I know, or at least I’m
given to understand, that this is a reference to Aristotelian notions of form and
substance, that what the eye sees is not inherent
in the thing seen. At one point Stephen
closes his eyes and wonders if the world still exists, to which the all too
obvious answer is “Duh.”
At the very least I
suppose those words mean that we can’t escape the visual, though I’m not sure
why we’d want to.
And of course there’s a double
bluff going on here, in that Joyce’s novel is transforming a visual experience (though
obviously not only a visual
experience) into a verbal one, into a text.
And I often think, as I walk in the world, that the separation between
the verbal and the visual is largely a false one.
I’m a writer and I love
words, but a lot of the time I write about what I see. And occasionally I take
a photograph to capture details that I might otherwise forget, even as I accept
that taking the photograph changes the nature of forgetting and remembering.
But the fact is, the world I see when I’m
walking is full of language, visible language, words in a landscape. Cities seem to be full of
fragmented poetry and prose, right there on the wall or the floor, and very
occasionally up in the sky.
Monday, May 9, 2016
A DAY LATE FOR PYNCHON IN PUBLIC DAY
“Behind the
hieroglyphic streets there would either be a transcendent meaning, or only
the earth.” - Gravity's Rainbow.
Or possibly the beach.
Or possibly the beach.
Story of all our lives, right?
Monday, May 2, 2016
MEANDERING WITH MARX
Maybe everybody in Los Angeles knows this already …
Getting on the subway at Pershing Square station yesterday afternoon,
the board told me I had 14 minutes to wait till the next train. Even when I’m not being a walker I’m quite an
obsessive pacer so I tramped back and forth, up and down the platform, trying
to find things to look at.
It’s got some neon sculptures overhead which are kind of OK, but I
settled on looking at the fire hoses and fire extinguishers, which are stored
behind glass and frankly look as though they’d be quite a bit of trouble to
access should you have need of them. But then,
imagine the joy of discovering that the extinguishers are supplied and serviced by
a company named Marx Brothers.
What could go wrong? It made the wait, and the pacing, totally worthwhile.
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