WALKING DANKLY

Walking in the rain is a funny business - sometimes literal, sometimes metaphoric, sometimes imbued with pathetic fallacy, and definitely, apparently, a thing to write songs about.

The one I think of first is ‘Just Walkin in the Rain’ the one made famous by Johnny Ray, written by Johnny Bragg and Robert Riley while they were in Tennessee State Prison. Bragg supposedly said, "Here we are just walking in the rain, and wondering what the girls are doing." Riley thought there was a song in it, and he was right.

Just walking in the rain
Getting soaking wet
Torturing my heart by trying to forget.

Then the Ronettes, ‘Walking in the Rain,’ later covered by Jay and the Americans and indeed the Walker Brothers.

Though sometimes we'll fight, I won't really care
And I'll know it's gonna be alright 'cause we've got so much we share 

Like walking in the rain (like walking in the rain) 

The song is attributed to Barry Mann, Cynthia Weli and Phil Spector.  I don’t imagine Phil ever did very muchwalking in the rain, what with the wig and all, but like Briggs and Riley, as he currently sits or walks in jail, there must surely be moments when he wonders what the girls are doing, though I’m not sure which girls.

And of course, ‘The Sky is Crying’ – many, many versions  - but originally by Elmore James

The sky is crying,
Can you see the tears roll down the street. 

Well, yes, sometimes you can, and t’other day I did. For no very good reason, except my ongoing fascination with suburbia, I went off for a walk in Highams Park, in north east London, and to be honest a large part of the attraction was that I knew I’d have the pleasure of walking down Hollywood Way.

As you see, it was sunny when I started out – and of course there was plenty in the area to look at.

gnomes (well, one gnome)

topiary and yuccas

fine bungalows 

an equally fine concrete shed

streamlined bay windows, which are always a favorite of mine

But as you also see in that last picture, I hadn’t done much drifting before the rain came down (see ‘The Day The Rains Came’ made famous by the somewhat less famous Jane Morgan  ‘The day that the rains came down/ Mother Earth smiled again.’ Well yes and no.

From time to time it would pelt down and I’d run under a tree – no pennies from heaven there - then it would stop for a bit and I’d walk on and it’d pelt down again. If I’d had a specific destination in place I’d have continued but since I was just wandering it wasn’t long before I’d had enough.  My point of return was De La Warr Court.

Now obviously when you see the name De La Warr you think of the De La Warr Pavlion in  very vaguely resembles. 

The pavilion was named after Herbrand Edward Dundonald Brassey Sackville, 9th Earl De La Warr, and the first hereditary peer to join the Labour Party.  If he has any connection with Highams Park, I’ve not been able to discover it.

Incidentally, Hollywood Way has one small point of interest, it was the childhood home of jazz man John Dankworth. There’s a plaque to that effect.

In the course of a long career he recorded plenty of songs about rain, including, many of them with Cleo Lane from ‘Come Rain or Come Shine,’ to ‘Singing in the Rain.’  Rather fewer songs about walking.  And I do hope this was his car, not just a prop for the album cover:

MY FAVOURITE WALKING MAP

WALKING AND RECOLLECTING IN SOME VERSION OF TRANQUILITY

I went for a walk in Colchester. I hadn’t been there in years, not since I spent a year at the university studying European drama and making myself unemployable.  Inevitably some parts of the city seemed very familiar and surprise, surprise some things had changed out of all recognition.

This piece of sculpture on the High Street was a great addition, ‘Woman (walking)’ by Sean Henry – that’s a good, snappy, unpretentious title you’ve got there, Sean. 

And I walked in Castle Park, the grounds of Colchester Castle, a fine castle however you look at it, even if you’re not all that interested in castles.

The gardeners were out planting. 

And I suppose they probably plant all year round, because all at once I came upon a crowd (I’m not sure I’d really call it a host) of daffodils, and I don’t honestly know if there were ten thousand of them - counting daffodils is a tricky business - but there were certainly plenty of them.

And then, all at once, again, I came upon an obelisk.  To be fair I knew it was in the park somewhere but I hadn’t actually expected to find it.

It’s not that big as obelisks go but it’s an interesting one.  It was erected in 1892 by Henry Laver, a local dignitary, when the park was opened. It commemorates the death by firing squad on that spot in 1648 of two Royalist commanders: Sir Charles Lucas and Sir George Lisle, after the siege of Colchester.

Both Lucas and Lyle are regarded as Royalist martyrs in some quarters. Lucas left a manuscript titled Treatise of the Arts of War, but it was written in cipher and was never published, which I suppose is understandable. You don’t want the polloi knowing all the arts of war, on the other hand it does rather cut down your readership.

Henry Laver was an Alderman, a Justice of the Peach, and a Fellow of the Society of Antiquaries, which looked like this. He was also the author of The Colchester Oyster Fishery: Its antiquity and position, method of working and the quality and safety of its products,  which looks like this:

LEMMY TAKE YOU BY THE HAND

The streets of London are paved with fruit, which has been left out in the rain.  (Macarthur Park reference, should some of you young 'uns have missed it.)

ROCKING ON

I like rocks.  I don’t know much about them but when I’m out walking and I see a rock at my feet and I like the look of it, I tend to pick it up.  

Of course the question of what it means to ‘like the look of a rock’ is a strange one, and I’ve thought about why one rock appeals more than another. It’s obviously got something to do with general aesthetics but it’s also about personal taste (I’m especially fond of flint and obsidian) and maybe it’s also to do with pareidolia - everybody likes a rock that looks like an animal or a face, or not wholly like a rock.  

No doubt John Ruskin had a lot of say about it.  These are some of Ruskin’s rocks, though not picked up while walking, as far as I know.

Now, if you’re on a long walk and you pick up every rock you like the look of  you can end up carrying half a ton of geological samples in your pockets and rucksack.  So my technique (call it that) is to pick up the first rock I like and carry it with me until I see another rock that l think looks better, then I pick that one up and drop the first.  It’s not a very sophisticated process.

I never made any great claims for the originality of this practice but I also never met anybody else who did it until I was in Quartzsite, Arizona, one hell of a town, a centre for rock and fossil hunters, and depending on the day and time of year, you may find any number of dealers there selling rocks, most of which I think they’ve picked up in the desert.  I understand this is perfectly legal in those parts, though by no means everywhere in America.

Buying a rock from a dealer always seems like a bit of a cheat, but of course if the dealer is a hands-on kind of a guy he has all the time in the world to go hunting for them in the desert, whereas I’ve only ever been a tourist in those parts.  So the dealer has much better stuff.  And I got talking to one of the dealers, and without any prompting from me he said sometimes when he was walking for pleasure rather than business, his method was just the same as mine – go out there, pick up a rock, keep it until you find a better one, then swap it.  I can’t say I felt like I’d found a kindred soul but it was somehow cheering.

And then, blow me down, I was reading Richard Long’s Walking the Line and there it is on page 53, a text piece titled “Walking Stones.” This is what it looks like:

Walking 382 miles in 11 days strikes me as pretty good – over 34 miles a day - but I do wonder how he selected the stones he picked up.  Was it based on aesthetic choice or random selection or something else?  You might also wonder when does a stone become a pebble, or a rock.

Of course Long ended up with no rocks in his pockets or rucksack.  I, on the other hand, always end up taking at least one home with me.   In due course I get rid of them.  Over the years I must have got dispersed hundreds, some of them a very long way from where they started, but a few always remain.  This is the current selection (definitely not a collection) lined up in the Nicholson atelier:

Here's Richard Long at work: