Lawrence Weschler would probably call this a convergence. I’m not sure what it is, but it doesn’t seem entirely a coincidence.
As we mark the 100 year anniversary of end of the First World War (“So then we all lived in peace, did we dad?”), I saw this painting by John Singer Sargent titled “Gassed,” painted in 1919.
It’s owned by the London Imperial War Museum, which describes it thus:
I kept looking and looking at this image, and admittedly I was only looking at a jpg – the painting is mighty big –
but it took me a very, very long time to see that football match. It’s there but the resolution is low enough that anyone might be forgiven for not spotting it:
but it took me a very, very long time to see that football match. It’s there but the resolution is low enough that anyone might be forgiven for not spotting it:
The painting apparently, and clearly, references “The Parable of the Blind” by Breughel the Elder, 1568, which I absolutely believes shows no football match.
I was then reminded of “Blind Field Shuttle” a performance work by the artist Carmen Papalia, who is blind, and who leads people on walks as they follow behind him, hands on the shoulder of the walker in front, their eyes held shut. I’d have thought blindfolds would have make the work better, but probably there are health and safety issues. The event, which obviously changes all the time, sometimes looks like this:
And then, out of nowhere, (and of course I realize that with the Internet, there’s no such place as nowhere, and perhaps there’s no such thing as a convergence, and certainly no coincidence, and no doubt it’s all algorithms) this image appeared on my Facebook, plugging Google.
There’s no blindness, no hands on shoulders, and of course no gassing, and yet there does seem to be some resemblance or echo or something. I’m still not sure if I ought to be outraged by this.